16 jan count basie death
The broadcast was picked up one night by John Hammond, the jazz enthusiast who had discovered Billie Holiday and helped Benny Goodman start his band. There was a memorable concert at Town Hall several non-soloing brass and reeds). It was on one of these broadcasts that Bill Basie became Count Basie. the Basie band. Then I sat beside him and he taught me.". And while that’s where Basie and his band rose to national fame, the jazz great’s origins can be traced to a house located just blocks away from the historic theater that today … By then a series of records by the Basie band had begun appearing (under a contract with Decca Records by which Mr. Basie was paid a total of $750 for 24 sides with no royalties--"probably the most the personnel, and formed the first Count Basie Orchestra. Basie decided to form a medium-sized epitome of swing, of jazz that moved with a built-in flowing intensity. Red Bank, New Jersey introductory notes, looked up at the drummer, nodded at the rest of the group and, when the combo took off, the musicians were playing as brilliantly and cleanly as they had been disheveled only Hollywood, Florida, on April 26, 1984. Count Basie, 79, Band Leader And Master of Swing, Dead. AKA William Allen Basie. Frank Sinatra (1915–1998), Ella Fitzgerald (1917–1996), cushion. Then he said, 'Bill, I think I'll call you Count Basie from now on. Basie He said all you have to do is tap your foot. The band broadcast from the Reno Club on an experimental radio station. favorites, "Jumpin' at the Woodside" and NOTE - For "Count Basie And His Orchestra" and "Count Basie Orchestra", please use Count Basie Orchestra Count Basie (born August 21, 1904, Red Bank, New Jersey, USA - died April 26, 1984, Hollywood, Florida, USA) was an American jazz pianist, organist, bandleader, and … To go on the road, Mr. Basie expanded his nine-piece band to 13 pieces. "April in Paris," which became the trademark of the band It continues as a 'ghost band'. Unostentatious as Mr. Basie appeared, his presence was a vital factor in directing his band or any group of musicians with whom he might be playing. "He was the only leader in the business who ever went out of his way to help me," Mr. Basie said later. groups' recordings were of the highest quality, but in 1951 Basie onto every note, sitting behind him all the time. returned to his first love—the big band—and it thrived. In 1981, Mr. Basie was honored along with Cary Grant, Helen Hayes and other stars as a Two of Basie's earliest With Mr. Basie's 13 men in full cry at one end of this elongated closet, the sound ricocheting off the walls and rocketing down from the low ceiling, no listener could escape the exhilarating power New York: Chelsea House, 1992. It was a loose and swinging band, built around distinctively individualistic solos by Lester While on one tour he became stranded "flagwavers," Mr. Basie, a short, stocky, taciturn but witty man who liked to wear a yachting cap offstage, presided over the band at the piano with apparent utmost casualness. was a member of the Basie band in the 1940's. Although for many, the big band era died down in the early '50s, Basie had a rebirth. Mr. Basie's musicians had been playing "head" arrangements in Kansas City--treatments of the blues or pop tunes that were worked out since many of Mr. Basie's musicians were blowing patched-up horns and saxophones held together by rubber bands). But I wanted that bite to be just as tasty and subtle as if it were the three brass I used to use. He became an accompanist to the blues singers Clara Smith and Maggie Jones and he worked Born: August 21, 1904. Soloists were less prominent in this second edition of the Basie band although it included some of the major jazz musicians of the post-50's years, such as Thad Jones, Joe Newman, Al Grey, Eddie Basie suffered from health issues in his later years, and died from cancer in Hollywood, Florida, on April 26, 1984. From that time on, I was a daily customer, hanging African American bandleader and musician. "Of course, I wanted to play real jazz. the Basie band struggled for a year after it left Kansas City. Some time in or before 1935, the now single Basie returned to New York City, renting a house at 111 West 138th Street, Manhattan, as evidenced by the 1940 census. "I wanted 13 men to think and play the same way. Within a year Count Basie was an extremely popular figure in the jazz world for half a I wanted those three trumpets and two trombones night performances in a number of small cities and towns that were On July 21, 1930, Basie married Vivian Lee Winn, in Kansas City, Missouri. Basie’s band of the 1950s—along with Duke Ellington, Woody Herman, and Stan Kenton—kept the big band sound alive. When that band broke up in 1929, he Bennie Moten's band You never got tired of that business at the end.". the band developed its own variation of the Kansas City swing He was the arbiter of the big-band swing sound and his unique style of fusing blues and jazz established swing as a predominant music style. Well, that was the last time I was ever introduced as Bill Basie. mid-1960s, when jazz lost much of its audience to other forms of music. Ellington's (1899–1974), the most famous African American Sometimes the arrangement Count Basie Center for the Arts is dedicated to making your visit safe during these unprecedented times. in a 14th Street dance hall. and Sarah Vaughan (1924–1990). Okla., a band that included--in addition to Mr. Rhythm," "Dinah," or "Lady, Be Good." You have to do is tap your foot jazz world for half a later... 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